What Was The Last Fully Hand Drawn Animated Movie
This is a controversial topic, one that provokes strong reactions from many different people. Volition a big studio such as Disney, DreamWorks, or Warner Brothers ever release paw drawn animated films to stand abreast their CGI counterparts? Will hand fatigued blitheness make a comeback? Is information technology truly dead? Some rather distressing news regarding Studio Ghibli and Disney Animation Studios would make it seem as if the answer to the last question is yes.
The possible final moving picture from Studio Ghibli When Marnie Was There was recently released in America and one of the studio's co-founders Hayao Miyazaki has retired. Ghibli producer Toshio Suzuki said that the studio will be downsizing and taking a pause, possibly to figure out what new management to take the company or to shut down for expert.[1] Nada is set in stone equally of yet but the news yet saddens me greatly, so much so that I spent over twenty minutes expressing my immense distress when I first found out.
In 2013, Disney CEO Bob Iger released a statement about the time to come of hand drawn blithe features from the Disney Company. There are no 2-D hand fatigued animated films in production and there are no future plans to make whatsoever more.[two] With the studio that pioneered the traditional hand drawn film no longer making them, what does this hateful for the time to come of the medium?
The Push of Computer Blitheness
In 1995 Pixar's Toy Story was released. It was not only the commencement feature film of the studio just it was also the moving picture that proved making an animated film entirely with computers is possible. Not also long after that, DreamWorks released Shrek, which surpassed the studio's previous films in terms of box office success as before they had released Antz, Chicken Run and four traditional manus drawn animated films.[3] The success of Shrek thus led the company to produce a sequel Shrek 2, stay with creating calculator animated films and become a formidable competitor for Disney. Meanwhile, other animation studios began to appear with their ain computer animated films such equally Blue Heaven Studios with their motion picture Ice Age in 2002.
The last ii-D animated movie Disney released was Winnie the Pooh back in 2011. Afterwards, it was followed by computer blithe films (Wreck-It Ralph, Frozen & Big Hero six) and a argument proverb there are no plans for a new hand fatigued animated film. When The Princess and the Frog was released in 2009 the future of 2-D animation seemed promising as the film was met with skillful box function numbers and critical praise. Still, some other animated moving picture (Pixar'due south Up) was as well released that aforementioned twelvemonth with even better box part numbers and critical praise. Now this is not to say one technique is amend than the other. That is simply not true. We get practiced manus drawn blithe films merely as much every bit we get practiced figurer animated films and vice versa. The technique is not what makes a picture show superior but rather the story, characters and themes that make the movie relatable to the audience. How that film is put together is secondary. The trouble comes when the people in charge of a film compare and contrast what is pop at the time to what works. This is nothing new in the film making industry equally it happens almost all the time.
For Disney, afterwards The Panthera leo Rex was released the films from their animation studio that followed (Pocahontas, The Hunchback of Notre Dame, Tarzan, Lilo and Sew together) never measured up to The Lion King's financial and critical success.[4] Some other contributing factor to this was Pixar every bit they were making a new moving picture each year and each film proved to be a bigger success than the previous one. At this time, Pixar had not experienced failure in the box office or with critics. The year Disney released Home on the Range, Pixar released The Incredibles which is often regarded as one of the best superhero films in contempo retentiveness. For many studios and people in accuse of those studios, the success of Pixar films was not because they are expert stories with relatable characters, good tone and mood, merely considering they are computer animated.
The executives of Disney besides succumbed to this mentality every bit after Home on the Range, they switched to computer animation with animators who did not take much preparation with the engineering science. The artists at Pixar, DreamWorks and Blue Sky were accustomed to the technology and thus were able to create much better looking animated films. When John Lasseter became the head of blitheness at Disney following the Pixar purchase, it is not surprising that animators from Pixar were brought in to help the Disney artists, which is detailed in Creativity Inc by Ed Catmull the president of Pixar and Disney Animation.
2-D Animation Artful Bleeds Into CGI Animation
Over time figurer animators began, and even so do, incorporate cartoony elements that harken dorsum to traditional cartoons and animation. This is especially evident in the character designs in films like Volume of Life and Cloudy With a Chance of Meatballs. With the latter film and DreamWorks Madagascar films, the animators made employ of the classic blitheness technique of 'squash and stretch' with exaggerated facial features and body movements for comedic affect.
Tangled has a very 2-D blithe aesthetic. The film makers wanted to go far feel more like a traditional animated movie, going and so far as to accept had 2-D animation fable Glen Keane directly the movie earlier he dropped downward to supervising animator. His work shows with the graphic symbol designs and motions that are more common in the world of traditional animation. In add-on, the backgrounds in Tangled are blithe and designed in a more painterly style usually found in traditional animation rather than a photo realistic style.
This is a hot button topic by and large due to personal taste. For many artists and animators who grew up with Disney, traditional 2-D animation was the style that was cemented in the aesthetic. Even the Disney Renaissance films have their roots in their predecessors such equally Snow White, Bambi, Robin Hood and The Groovy Mouse Detective. Disney's change from two-D blitheness to fully computer animation was gradual but to me it seems similar they are abandoning the style that has been theirs for lxx plus years.
Why I Love ii-D Animation
My dear and respect for two-D animation stems from my love and respect for visual art. Watching someone draw, paint, or even watching lines come to life has a visceral outcome on me. Ane of my favorite scenes in the romantic comedy As Good As It Gets ( SPOILER WARNING! SKIP TO THE LAST Judgement OF THIS PARAGRAPH IF YOU Accept NOT SEEN THE MOVIE AND Practice Non Want TO Exist SPOILED) is when the artist Simon draws Carol while she is waiting for the bathtub to fill. Here is an artist who never thought he would depict again later on his accident and beingness robbed. He is depressed and feels hopeless and useless. However, every bit he sees Carol's blank back with her pilus upward and sitting on the edge of the tub, for the kickoff time in months he is struck with inspiration and he draws again. He draws so much, in fact, that he rips off his cast so that he may move his hands easier. Seeing Simon'southward passion for his art come through his pencil and charcoal strokes later on he had experienced such hardships and watching the both of them become genuine friends was an emotionally rewarding experience. That entire scene tapped into a place of amore for me. And so to me, it is a personal defeat that nosotros are not seeing more 2-D animated films from major studios.
The Time to come of Manus Fatigued Animation
With all this in heed, is the hand-drawn animated feature a dead art form? Mayhap, at least in regards to Disney animation, the answer is yes. However, I would argue that traditional animation is not completely gone every bit it continues to thrive other means. 2-D animated features proceed to be released in Europe and notwithstanding seem to do well at that place. In addition to films like Song of the Sea and Ernest & Célestine, French animator and director Sylvain Chomet produced films such as The Triplets of Belleville andThe Illusionist .
There is also an interesting crowdfunded project called Hullaballoo which has a rally cry of saving 2-D animation. Information technology was created by veteran Disney animator James Lopez along with other onetime Disney animators. It is a steampunk take chances about a brilliant immature scientist named Veronica Daring and her adventures as her vigilante change ego named Hullaballoo. I think it is an interesting project to cheque out. The project raised over 4 times the requested budget in a month and then it will exist interesting to run across where that goes.
Moreover, 2-D animation seems to be making a comeback on the smaller screen. Television networks such every bit Drawing Network and Disney Aqueduct have been making real efforts in improving the quality of their animated television programs. Shows on Disney Channel like Gravity Falls, Wander Over Yonder, and Star Vs. The Forces of Evil and shows on Drawing Network like Hazard Time, Regular Show and Steven Universe illustrate strides in creativity; story and characters audiences can connect with. For some shows, specifically Adventure Fourth dimension, the popularity has earned a theatrically released picture.[five]
Whether major films studios will produce a 2-D animated feature is still upwards for debate. However, I like to remain hopeful. All this is non to say American studios are non doing good work only it is all CGI animation, not there is anything wrong with information technology or there is no beauty to be plant there because there is. Notwithstanding, I will never accept the idea that it is the only kind of animation that is worth creating. The merely real competition the CGI studios are getting is from stop-motility (Paranorman, Coraline, The Boxtrolls, Wallace and Gromit) and they are wonderful. However it is not 2-D animation, a class of animation that has its ain special kind of magic. If I want to enjoy 2-D animation beyond Goggle box and then I must turn to Japan or Europe. It just makes me deplorable and I wish we could exist doing the aforementioned thing they are doing here. Considering after seeing Vocal of the Sea and Ernest & Célestine……I am seriously freaking JEALOUS.
Sources
[1] Read more at http://kotaku.com/studio-ghibli-is-non-dead-nonetheless-1615520289
[2] Read more at http://world wide web.theguardian.com/film/2013/mar/07/disney-paw-fatigued-animation
[iii] Read the full listing at http://www.boxofficemojo.com/franchises/chart/?view=main&id=dwanimation.htm&sort=gross&order=DESC&p=.htm
[iv] Read more at http://disney.wikia.com/wiki/Walt_Disney_Animation_Studios
[5] Read more at http://world wide web.cartoonbrew.com/feature-motion picture/adventure-fourth dimension-feature-moving picture-pen-ward-109681.html
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